Jane Tinmarie-Yalunga (deceased)

Born in February 1972 in Wyndham, Western Australia, Jane Yalunga Tinmarie was a radiant force whose life and work deeply reflected the strength and wisdom of her cultural heritage. As the daughter of the renowned artist Rover Thomas, Jane was immersed in the world of art from an early age, witnessing the power of storytelling through paint. Raised in Wyndham and later in Warmun, her connection to the land and her people shaped not only her identity but also the very essence of her work. Jane’s artistic journey began in earnest in 2000 atWarmun Art Centre (WAC), where her passion for art flourished, bringing forward the stories and landscapes of her father’s country-Texas Downs Station. Drawing inspiration from the flora and fauna of the East Kimberley region, as well as the profound Dreamtime stories rooted in her father’s teachings, Jane’s works were a tribute to the land that shaped her and the spiritual connection the Gija people have to it. One of her most significant works, the Gurirr Gurirr Joonba; a traditional ceremony honouring her heritage symbolized not just her art but her life’s dedication to the preservation of Gija culture. Her art was not just about creating beautiful images, it was a living conversation between the past and present, a dialogue between traditional ochre techniques and contemporary expressions. Jane’s unique style, defined by bold colours, patterns, and a vibrant connection to her land, invited all who saw her work to feel the depth of her heritage and the profound spiritual relationships that bind her people to the land. Beyond her role as an artist, Jane was an unwavering advocate for Gija culture and an inspiring mentor. She nurtured the next generations, emphasizing the importance of storytelling, cultural expression, and the transmission of ancestral knowledge. Her guidance and mentorship empowered young artists to embrace their heritage and share the stories of their people with the world. Through her involvement in cultural programs and exhibitions, she was instrumental in elevating Indigenous voices in the art world and ensuring that Gija traditions were celebrated and preserved for generations to come. Jane was a pivotal cultural advisor and respected dancer within Warmun community, entrusted with the responsibility of her father’s Dreaming, a role she embraced with unwavering dedication that went far beyond her artistry. She was dedicated to ensuring the continuity of the Traditional Joonba and other sacred cultural ceremonies, ensuring these vital practices remained alive for future generations. Her contribution to the community also extended to education, where she worked as a teacher aide, nurturing young minds and hearts, instilling in them the values of cultural pride and respect for their heritage. Throughout her life, Jane served her community with grace, wisdom, and an unshakable commitment to the preservation of Gija culture. As a studio assistant, gallery associate, and later a mentor and director at the Warmun Art Centre, her leadership and influence grew, leaving an indelible mark on the cultural and artistic landscape of the East Kimberley. Residing in Warmun with her five children and extended family, Jane’s focus had shifted to cultural advisory work, ensuring the continuation of her father’s Dreaming and fostering greater understanding of her community’s artistic and spiritual legacy. Her strength, compassion, and dedication continue to inspire those who knew her, and her legacy lives on in every brushstroke, every dance, and every story she shared. Jane Yalunga Tinmarie was more than just an artist, she was a living testament to the power of culture, art, and mentorship. Her influence will forever echo in the hearts and minds of all who were touched by her life’s work, and her spirit will continue to inspire and guide the generations that follow.